Culture is my job
The campaign “Culture is my job” is an awareness and identification campaign for cultural professionals launched in 2020. The campaign aims to raise awareness of the plight of the cultural sector and to highlight the multiplicity and diversity of people affected by the Corona crisis, as well as to bring to life a sector that has now become almost completely invisible.
The aim of this campaign is to highlight the following points that bring us all together:
- We are professionals with our qualifications, our expertise and our daily commitments within our functions.
- We are united: beyond our differences in our roles and interests, we have come together to defend our economic industry.
- There are many of us and we all participate in a rich and active ecosystem for the benefit of the whole of society.
- Our structures are suffering now of this crisis and we are in danger...
The campaign has been initiated by the following cultural organisations:
Artos - Association romande technique organisation spectacle
AVDC – association vaudoise de danse contemporaine
DANSE SUISSE - Association suisse des professionnels de la danse
DANSE TRANSITION - Accompagnement à la transition de carrière
FARS - Fédération des arts de la rue en Suisse
FCMA - Fondation Romande Pour la Chanson Et les Musiques Actuelles
PETZI – Swiss federation of music venues and festivals
PROCIRQUE - Association suisse des professionnels des arts du cirque
RESO - Réseau Danse Suisse
SONART - Association Suisse de Musique
SSRS - Syndicat Suisse Romand du Spectacle
SVTB – ASTT - association suisse des techniciens de théâtre et de spectacle
SME - Swiss Music Export
t. - Professionnels du spectacle Suisse
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Music
ZUGABE - Unser Beitrag für die Schweizer Livemusik
PETZI lanciert die Kampagne «Bis - Encore - Zugabe» zur Sensibilisierung für die aktuellen Realitäten und die langfristige Stärkung und Erhaltung der nicht gewinnorientierten Musikszene in der Schweiz.
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Music
The Foundation of Swiss Live Music - A Manifesto
PETZI has drafted a manifesto: it highlights the structural challenges and dysfunctions that have been weighing on our scene for years, and puts forward demands as well as concrete proposals for solutions, as the ecosystem of contemporary music needs to be rethought.