Combo Chimbita katapultiert das heilige Wissen unserer Vorfahren in die Zukunft – mysthisch, prychedelisch von einer andern Welt und mit einem Spritzer rätselhaftem Punk...
Through her folkloric mystique, otherworldly psychedelia, and a dash of enigmatic punk, Ahomale by Combo Chimbita catapults the sacred knowledge of our forebears into the future. Their second studio album and Anti- Records debut sees the visionary quartet drawing from ancestral mythologies and musical enlightenment to unearth the awareness of Ahomale, the album’s cosmic muse. Comprised of Carolina Oliveros’ mesmeric contralto, illuminating storytelling and fierce guacharaca rhythms, Prince of Queens’ hypnotic synth stabs and grooving bass lines, Niño Lento’s imaginative guitar licks, and Dilemastronauta’s powerful drumming, the lure and lore of Combo Chimbita comes into existence.
With the help of producer Daniel Schlett (The War on Drugs, Modest Mouse), the group’s rootsy experimental alchemy and metal strangeness take centerfold. Oliveros howls, yowls and chirps with gut-wrenching emotion, like on the languid mirage of “El Camino,” or plaintive frenzy of the title track. Whether rock raw and soulful or bewitching like a shaman in a spiritual ceremony, her voice is always a multifaceted wonder. “Brillo Más Que El Oro (La Bala Apuntándome)” boasts alluring vintage synths that seem to time travel through the lush tropics of yore; then, the mood intensifies when its bridge brilliantly crosses into a spellbinding chant sung in unison: “Y si digo que / Que ahora ya lo se” (“And if I say that I now know”). “Testigo” is pure melodic witchcraft in action that strips away wordly façades into something
bare and beautiful: “Desde principio a fin, yo siempre di mi verdad” (“from beginning to end, I always gave my truth), the singer vulnerably croons against a whirling guitar and galloping percussions.
Organized by: Humbug